TV: And now we’re going to send you out to Austin, Texas, where Chuck Lovell  is with veteran swingman and fan-favorite Josh Rosenblatt, who outdid himself today at the Hancock Park basketball court off Red River near the shopping center where Old Navy used to be. Chuck?

Chuck: Thanks, you.

Josh, great job today. Three truly excellent games. Minus those two early losses you had what has to be considered a near-perfect day on the basketball court. I’m looking at the stats here, and I’m seeing things like 3-17 shooting, including an impressive 0-6 from three-point land; I’m seeing two steals; I’m seeing only 12 turnovers; you barely twisted your ankle even once; not one single – get this! – not one single instance of your having to apologize for running into a teammate on a fast break; and, perhaps most impressive of all, 14 self-deprecating jokes to pre-emptively deflect criticism from better players disappointed in your effort. Is it safe to say you were feeling it today?

Josh: It is, Joanie. I haven’t played like that in a long time. I don’t know what came over me, honestly. Our trainer, Chad, he’s got me smoking different tobacco these days, so that might have something to do with it. I’m not really sure. You know, in basketball you have good days and you have bad days. Today was one of those good days. When I was watching Jay chase that ball down the hill in game three, after I’d passed it over his desperate, outstretched arms, I remember thinking to myself, “Most days I would have done that three, four times by now.”

Chuck: Did you consciously change your approach, or did things just click?

Josh: No, I definitely tried to change things up. For example, I decided to wear this old, torn, thin gray Army shirt because I was finding that the stained white T-shirts I was wearing before weren’t nearly see-through enough after I poured water over my head between games. I think my teammates prefer when they can see my sweaty chest through my T-shirt; it gives them a little more confidence; it lets them know, “Hey, I’m here to win.” So that was big, I think. My wet, hairy body.

Chuck: To be fair, things did get tough in that second game. Your team was down 8-3 late and only barely managed to eke out the 11-5 loss there at the end. When did you decide that it would be best to guard their fastest player when you are clearly the slowest guy out here?

Josh: Ummm, right before the game, I think. With the way I played in that first game, only allowing my man to score eight out of his team’s 11 points, I knew it was my responsibility to cover their best player and throw my hands up in exasperation as often as I could. I knew if I did that, we’d have a chance to win.

You have to remember, the team we were playing against, those guys are a good 10-12 years younger than I am. They’re also exquisitely chiseled all through their chest and stomach and arm regions, and they’re also very blond. Plus they’ve got their whole lives ahead of them. They’re filled with life and hope, whereas I’m more of an embittered player, a cranky player, a player prone to fits of existential desperation; that’s my thing. So I knew I was going to have to just go out there and play my game and not allow myself to get caught up in their sense of optimism.

Chuck: In that game, you shot a remarkable 13% from the field, causing only two balls to go bouncing over the fence and into the poison ivy grove. Did it just feel automatic out there for you?

Josh: It really did. I can’t explain it, honestly. I will say this: My attitude has been much better these days, as has my work ethic. I’m focusing more on the fundamentals – concentrating on my footwork, keeping my hands moving on defense, squaring up to the basket when I shoot my jumper – and worrying less about the fact that basketball is a meaningless waste of time, a useless distraction to keep us from confronting the essential emptiness of human life in an uncaring universe.

Chuck: Plus, you’ve been unemployed for several months now …

Josh: So I’m getting a lot more rest, exactly.  My training regimen – which involves 14 hours of sleep a day, split into two equal shifts, combined with a focus on fluid intake, mainly guava juice mixed with grain alcohol – has really increased my stamina. I feel like a man half my age. Not exactly half my age, of course; I don’t remember what 16 1/2 felt like, but you get the idea.

Chuck: I do. So how do you keep this remarkable run of play going?

Josh: Oh, you know, just one game at a time. I’ll be back out here on Sunday for the two-on-two tournament, and I figure as long as I spend the time between now and then practicing my jump-shot in my living room wearing nothing but a pair of socks and maybe watching a basketball highlight video on YouTube, something set to a hip-hop soundtrack, I should be ready.

Chuck: Okay, thanks Josh. Great game.

Josh: Thanks. Great interview.

Right this way, ladies and gentleman. Squeeze on in, if you would, so everyone can get a look. I know it’s snug in here, but it was a different time back then, smaller people, smaller doorways. Ha ha. Right, ma’am, as I said already, no cameras please. Flash photography could do damage to the many artifacts and art pieces in the house. Good, thank you. Yes, come on in. Yes, right there by the vacuum cleaner is fine.

Hello everyone, and welcome to the home of Josh Rosenblatt, As you can see, despite the many great things that were accomplished here, the house is a bit on the small side. Surprising, I know, but it does make for a brisk tour. So if you’ll kindly give me your complete attention, we should be done in about three minutes, and then we can go get those hot dogs I promised you.

If you had visited this house in Rosenblatt’s time, you probably would have been greeted here in this modest entrance hall by Rosenblatt himself, provided he had managed to pry the great door open, which was not always the case. The door’s alignment had been compromised during the home’s 2006 foundation repair, known to scholars as “The Great Restoration.” Rosenblatt was often at the mercy of the door’s whims, and depending on certain weather conditions and his relative intoxication level the door would occasionally refuse to open. Many guests told historians stories of paying social calls to Rosenblatt only to be denied entry after he was unable to open the door. In these cases, they spoke of the wild, lavish, inhuman cursing they would hear coming from inside the house, accompanied by the sound of what they assumed was Rosenblatt’s head banging against the door. Once inside the house, visitors were often surprised by the sight of Rosenblatt wearing only underpants.

Upon entering the home, you would have been offered a seat on one of the living room’s two couches, though most likely you would have chosen to sit on the southern couch, as the couch lining the eastern wall – you can see it behind the antique microphone stand and the collection of priceless Danish-modern ash-trays – was usually covered in an assortment of unusual objects, as it is now. Rosenblatt acquired these objects during his occasional trips outside of his home and sometimes even off his street. You’ll notice the several empty cardboard boxes and what appears to be a random assortment of unmatched socks and the occasional folded magazine. Rosenblatt, as you know, was a great reader of magazines and often liked to come to this couch and think about how much he’d enjoy sitting on it and reading his magazines if it weren’t always covered in socks and old cardboard boxes.

In 2006, Rosenblatt purchased from the Swedish firm Ikea this coffee table. He would often move the table on a whim, and over the years it was used as an ironing board, a stand for an antique Tahitian box fan, a chair for prominent guests, and once, at a gathering in Autumn 2007, a make-shift stage for one of Rosenblatt’s erotic scarf-dances.

The kitchen, with its elegant laminate floor, is the room that most closely resembles what it was when Rosenblatt lived there. You’ll notice that there is still ketchup in the refrigerator and a banana peel in the garbage can. The microwave still bares the burn marks from a now-famous incident in 2008 when Rosenblatt misread the instructions on a packet of frozen french fries and nearly burned the house to the ground. After the incident, Rosenblatt never used the microwave again. In fact, he never took the plate of charred french fries out of the microwave, possibly in the hope that one day future generations of visitors, like yourselves, might learn from his mistakes. Either that or he just forgot they were in there. Scholars still debate the topic.

Like most Americans of his time, Rosenblatt ate one to two meals a day, often consisting of eggs and carved meats and cheeses placed between slices of bread. In addition to being a writer, musician, editor, basketball player, and lingerie enthusiast, Rosenblatt was also an amateur nutritionist, and he delighted in the long hours he and his friends would spend in his parlor discussing the relative nutritional merits of vegetables and objects made of chocolate. He even briefly considered writing a book on the subject, which he tentatively titled Seriously, Do  You Have Any Chocolate?. The book aroused the interest of several publishers at the time, but Rosenblatt ultimately abandoned the project in order to concentrate on watching season three of The Wire on DVD for the fourth time.

From the small window on the northern kitchen wall (which Rosenblatt cracked himself by hand in the spring of 2008) we get a gorgeous view of the homes’ quarter-acre lot, complete with Rosenblatt’s cherished brown grass and one of the finest concrete slabs in all of East Austin. Over the protests of friends and family members, Rosenblatt – an avid gardener and horticulturist – decided to keep the natural integrity of his property intact throughout his stay here, rarely mowing the yard and never planting any flora that wasn’t there when he first moved in. Shaking off criticism that he was wasting a beautiful yard that was so full of potential and could have served as a charming meeting place for guests on cool fall evenings, Rosenblatt was resolute in his belief that what grew naturally in his yard was the will of the almighty and so to alter the landscape would have been an implicit declaration that somehow God wasn’t perfect in every way. A man of faith and simple modesty, Rosenblatt never would have presumed such a thing and so left his yard the way it was, even going so far – you will see back there by the east fence – as to leave untouched stray pieces of newspaper that had flown into the yard and the crack pipe left behind by a local prostitute before the Great Gate Reconstruction of 2006.

This way, please.

Rosenblatt’s bedroom is a testament to the owner’s love of minimalism in interior design. Bare walls were a fashionable decorative motif at the beginning of the 21st century, as was a bunched-up terrycloth bathrobe splattered in blue paint and thrown in the corner. Another popular motif was the vague color line separating the blue walls from the white ceiling. At first glance this may look like little more than a shoddy paint job, but in fact this style of decoration was quite common at the time and was intended to remind female visitors of a frieze in the Temple of Fortuna Virilis in Rome – which on one occasion it actually did, causing Rosenblatt to immediately declare his love for the woman and ask for her hand in marriage. This declaration and request were rescinded approximately 43 minutes later, according to historians.

The library, at the time famous for its 23rd-edition copies of both What Makes Makes Sammy Run and The Moon and Sixpence (in whose margins can still be read some of Rosenblatt’s greatest literary observations, including “How true,” “Remember to re-read this page,” and “I wonder if they serve donuts here”), can be seen here near the head of the bed, under Rosenblatt’s collection of rare clock radios and paper scraps. In honor of his hero, Thomas Jefferson, Rosenblatt often declared his intention to donate his collection of 34 volumes to the Library of Congress, but with the recession of late 2008 nearly decimating the household income, he was forced to sell most of his most prized volumes to a local collector, who was kind enough to give him 65 dollars and a ticket to a jazz concert taking place in the store later that evening, a concert Rosenblatt forgot about upon arriving at the liquor store 13 minutes later.

Finally we come to Rosenblatt’s office, where most of his greatest pieces were written. The desk stands exactly as it did when Rosenblatt last worked there. Those are his actual cigarette butts; that is his actual stack of half-finished Daily Jumbles; those are his actual salt and pepper shakers (historians have yet to figure out how or why they ended up in his office); and that is the very window he was gazing out of when he came up with the idea for Mumbly the Lawn Chair, the cartoon creation for which he is still, to this the day, most famous.

Writing was the great joy of Rosenblatt’s life, and the meaning and delight he found there, I believe, can serve as an inspiration for us all. In 2009, in an e-mail he sent to a friend on the occasion of the three-month anniversary of Unfit Times (by which point he had written 432 pieces for the Web site), Rosenblatt wrote, “If I have to write another sentence I’m going to shoot myself in the head.”

Would that we could all be so fulfilled.

This way for the hot dogs, ladies and gentlemen.